Sign in Subscribe

Alden Parker ’26

Time-Warped Records: “Modern Vampires of the City”

Time-Warped Records: “Modern Vampires of the City”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews Vampire Weekend’s “Modern Vampires of the City,” discussing the maturity and refinement that the album brought to the band’s sound.

Time-Warped Records: “Modern Vampires of the City”

Time-Warped Records: “Modern Vampires of the City”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews Vampire Weekend’s “Modern Vampires of the City,” discussing the maturity and refinement that the album brought to the band’s sound.

Time-Warped Records: “Play”

Time-Warped Records: “Play”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews Moby’s 1999 album “Play,” which catapulted the musician from has-been to worldwide superstar.

Time-Warped Records: “Play”

Time-Warped Records: “Play”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews Moby’s 1999 album “Play,” which catapulted the musician from has-been to worldwide superstar.

Time-Warped Records: “Hot Fuss”

Time-Warped Records: “Hot Fuss”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews “Hot Fuss,” reflecting on the musical themes and young adult angst that helped propel The Killers’ debut album to success.

Time-Warped Records: “Hot Fuss”

Time-Warped Records: “Hot Fuss”

In this edition of Time-Warped Records, Columnist Alden Parker ’26 reviews “Hot Fuss,” reflecting on the musical themes and young adult angst that helped propel The Killers’ debut album to success.

Time-Warped Records: “Graceland”

Time-Warped Records: “Graceland”

In his inaugural edition of Time-Warped Records, Alden Parker ’26 reviews Paul Simon’s 1986 album “Graceland,” detailing Simon’s experience recording in South Africa during apartheid.